The Crowd: A Study of the Popular Mind (French: Psychologie des Foules; literally: Psychology of Crowds) is a book authored by Gustave Le Bon that was first published in 1895. In the book, Le Bon claims that there are several characteristics of crowd psychology: "impulsiveness, irritability, incapacity to reason, the absence of judgement of the critical spirit, the exaggeration of sentiments, and others. Le Bon claimed that "an individual immersed for some length of time in a crowd soon finds himself (...) - either in consequence of magnetic influence given out by the crowd or from some other cause of which we are ignorant - in a special state, which much resembles the state of fascination in which the hypnotized individual finds himself in the hands of the hypnotizer. (shrink)

" La guerre européenne représente les débuts d'une ère de bouleversements. Boule­versement de l'existence, bouleversement des sentiments, bouleverse­ment des pen­sées. Nous sommes arrivés peut-être à une de ces périodes de l'histoire où, comme au mo­ment de la Révolution française, les hommes changent leur idéal, leurs principes et aussi leurs élites. Les peuples sont rapidement poussés vers un avenir qu'aucune lueur n'éclaire encore. L'imprévisible les domine. Des conceptions politiques et morales, tenues pour inébranlables, semblent destinées à disparaître. Théories et doctrines s'éva­nouissent (...) tour à tour. Plus de lendemains assurés. Les forces psy­chologiques qui s'entrechoquent dans les combats, commencent à peine leur oeuvre.". (shrink)

livre I. Les forces qui mènent l'histoire.--livre II. Pendant les batailles.--livre III. La psychologie des peuples.--livre IV. Facteurs matériels de la puissance des nations.--livre V. Facteurs psychologiques de la puissance des peuples.--livre VI. Le gouvernement moderne des peuples.--livre VII. Perspectives d'avenir.--livre VIII. Dans le cycle de la science.

Résumé Dans cet entretien, Claudia Bouliane interroge les principaux.ales éditeur.trice.s de la Pléiade consacrée aux Mémoires de Simone de Beauvoir au sujet des choix qu’ ils ont fait quant à la manière d’ encadrer le lectorat dans sa (re)découverte des écrits autobiographiques de l’ autrice et philosophe. L’ échange s’ organise autour des différentes parties critiques des deux volumes ainsi que de l’ album et soulève des questions d’ ordre méthodologique, en plus d’ éclairer les rapports particuliers de Beauvoir à (...) l’ Histoire, à l’ identité, à l’ amitié, à l’ écriture et à la réception de ses écrits. (shrink)

Collects essays, articles, and plays by the French writer, including "A story I used to tell myself," and "What can literature do?".

Political Writings offers an abundance of newly translated essays by Simone de Beauvoir that demonstrate a heretofore unknown side of her political philosophy. The writings in this volume range from Beauvoir's surprising 1952 defense of the misogynistic eighteenth-century pornographer, the Marquis de Sade, to a co-written 1974 documentary film, transcribed here for the first time, which draws on Beauvoir's analysis of how socioeconomic privilege shapes the biological reality of aging. The volume traces nearly three decades of Beauvoir's leftist political engagement, (...) from exposés of conditions in fascist Spain and Portugal in 1945 and hard-hitting attacks on right-wing French intellectuals in the 1950s, to the 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article arguing for what is now called the "two-state solution" in Israel. Together these texts prefigure Beauvoir's later feminist activism and provide a new interpretive context for reading her multi-volume autobiography, while also shedding new light on French intellectual history during the turbulent era of decolonization. (shrink)

Written from September 1939 to January 1941, Simone de Beauvoir’s Wartime Diary gives English readers unabridged access to one of the scandalous texts that threaten to overturn traditional views of Beauvoir’s life and work. The account in Beauvoir’s Wartime Diary of her clandestine affair with Jacques Bost and sexual relationships with various young women challenges the conventional picture of Beauvoir as the devoted companion of Jean-Paul Sartre, just as her account of completing her novel She Came to Stay at a (...) time when Sartre’s philosophy in Being and Nothingness was barely begun calls into question the traditional view of Beauvoir’s novel as merely illustrating Sartre’s philosophy. Most important, the Wartime Diary provides an exciting account of Beauvoir’s philosophical transformation from the prewar solipsism of She Came to Stay to the postwar political engagement of The Second Sex. Cast in the crucible of the Nazi Occupation, Beauvoir’s existentialist ethics reflects dramatic collective experiences, such as joining the tide of refugees fleeing the German invasion in June 1940, as well as the courageous reaffirmation of her individuality in constructing a humanist ethics of freedom and solidarity in January 1941. (shrink)

Laurent Le Bon, directeur du Centre Pompidou-Metz, dévoile au cours d’un entretien avec Roland Huesca l’histoire, les atours et les enjeux de l’écriture de plusieurs catalogues d’expositions : à l’affiche Dada, Chefs-d’œuvre ?..